Update on Binion's, It's not completely closed and doing okay

Last month we ran the story about the closing of Binion's hotel tower, (the old Mint tower to us old-timers) and pondered what that meant for the venerable Downtown establishment.

Well, our  buddy Johnny Katz is back from holiday and has a follow-up to that story.  And the news isn't all bad, in fact, it's looking up, well sort of:

What's happened to Vegas landmark Binion's over the past five weeks reminds one of the Mark Twain quote, "Be careful about reading health books. You may die of a misprint."

Wait. That's not the line. I'm thinking of the famous quote, "Reports of my death have been greatly exaggerated."

It seems a great many Binion's customers — past and potential — across the country and even the globe have wrongly deemed one of the city's most famous hotel-casinos as lacking a pulse. Out of business. As in, forever.

No.

It's like this: On Dec. 1 Binion's Gambling Hall & Hotel announced it was losing that "hotel" for a time and closing its 365-room tower. The closing date was set at Dec. 14. About 100 hotel employees would be out of work. Binion's Restaurant & Bar, downstairs, would close, too. All of that did happen.

Click to enlarge photo

Binion's Cafe, home of the $5 burger.

But crucial to this announcement was that the casino itself — including the poker room, all the gaming pits, the great Binion's Ranch Steakhouse and the somewhat great Binion's Café — would remain open for business as usual. The usual being that the steakhouse would be shut for a time in December for its annual two-week scrubbing, but is again open today. Still on the 24th floor, great view, warm wheat bread, flavorful beef-age, all that.

The problem has been that the closing of the hotel has resulted in the following thought pattern from those who have read or heard the news: "Binion's. Hotel. Closing." The reports have been accurate, but as Binion's General Manager Tim Lager said earlier this evening while sipping a Michelob Ultra at Benny's Bullpen Sports Bar andCigar Lounge, multitudes of tourists have mourned the closing of a casino still open.

"The power of our brand is such that whatever happens here makes news," Lager said, "and the news was that the hotel was closing. People saw that in the headlines, or heard it, and felt that was it for Binion's. This happened all across the world. We've received word from Australia that people were under the assumption that Binion's is closed."

Throw another mattress on the barbie, mate.

The evidence is mostly anecdotal, but it has mounted ever since the sad news was sent out Dec. 1: Loyal Binion's guests from tiny towns in Texas who received mailers from the hotel, only to have the postal worker remark, "Sorry to hear that your favorite hotel is closing." The longtime visitor to the poker room who bumps into Lager on his way to cash out his Club Binion's player's card because he wants to reap the benefits before the casino's doors are chained shut.

"I get it all the time," said Lager, who spends about as much time on the Binion's casino floor as I do these days.

The sagging business at the Binion's Ranch Steakhouse is a particular concern, as it is one of the hotel's most famous draws and a popular restaurant in times when it is not rumored to be out of business. Just a year ago, TLC Casino Enterprises, which owns the hotel (Terry Caudill being the owner of TLC, which also owns Four Queens) renovated the steakhouse with new carpet, wallpaper, china, even a new menu. The new ownership also topped the old hotel with an $800,000 roof, as even the finest resort is worthless if rain is pooling on the Pai Gow tables.

These moves were to indicate long-term commitment to Binion's, which has a very big casino floor — 80,000 square feet, more than double that of Four Queens — and needed a lot of vacuuming, to say the least. Caudill's plans were to tackle those rooms, too. The ownership knew it was buying into a hotel that needed some serious work, but those plans were mothballed during the subsequent economic cratering. Binion's operated at a loss as it offered rooms at $19 for a time, even less than the $29 rates offered at such Strip hotels as Imperial Palace. But guess what type of clientele a $19 room attracts: Cheap. These folks aren't lighting Macanudos with $100 bills at Benny's Bullpen, put it that way.

Caudill also has jousted with some of the owners of the land on which the resort sits. About a half-dozen different interests own the Binion's land parcels, many of whom inherited ownership from the original families who bought the land in auction back in 1905. There are dozens of ownership partners tied into those parcels, and TLC has been sued for failing to comply with terms of its lease of the Binion's land. TLC has been attempting to negotiate more favorable lease terms for nearly a year, arguing that if it continues to cut costs to meet the bottom line, customer service would suffer so acutely that guests might stay away even if they know the casino isn't closed.

Lager says the hotel one day will be reopened, but can't yet calculate what the economic indicators would be to start movement in that direction. Many consecutive months of robust business would be a start. There is hope that some powerhouse, one-off PR event — Mayor Oscar Goodman announcing he will or won't run for governor from the Steakhouse, for instance — would jar the public's perception of the hotel. It doesn't need any more name recognition, just a removal of the headstone from the entrance. Metaphorically speaking, of course.

Meanwhile, those who had reservations to stay at one of Binion's dilapidated hotel rooms have been "absorbed" by Four Queens. Now, that's a hotel-casino that's doing pretty well. It's still open, and most important, everyone knows it.

Las Vegas Mob Museum gets more money

While the Neon Museum continues to struggle to find funding to build their dream, the Mob Museum continues to get financial support from the Las Vegas City Council.

 

 

From the Las Vegas Sun:

The Las Vegas City Council quietly approved spending nearly $2 million more last week for the mob museum project, which is on track to open in 2011 in the city's downtown.

But City Councilman Stavros Anthony made it clear he still doesn't like the project, which will be officially known as the Las Vegas Museum of Organized Crime and Law Enforcement.

Anthony didn't speak out today about the project, which is estimated to cost about $50 million. But his actions were fairly loud and consistent with his past votes.

He asked to have the item pulled from the council's routine consent agenda so it could be voted on separately. Then he was the lone vote against the extra funding among the seven council members.

Anthony had also voted against additional funding for the retrofit project back in November. At that time, he had explained he could not justify spending money on such a museum.

The extra money approved today, amounting to $1,958,908, is needed to take care of some structural retrofit work on the historic 1933 federal office building and post office building at 300 Stewart, which will house the museum.

The work includes modifying the beams on the second and third floors, removing more hazardous material from the building, doing more work on the exterior plaster and courtroom ceilings and installing a new remote fire pump assembly that's needed because of failing water pressure in the downtown area, according to the city's finance and business services department.

The museum, which is expected to open in the first quarter of 2011, would tell the tale of how federal and local law enforcement officers fought the mob and eventually drove it out of Las Vegas' casinos.

The exhibits would features items from the FBI, plus artifacts from mob life, including many donated from the children and grandchildren of top members of organized crime and their underlings.

The museum has been pushed by the city's mayor, former high-profile mob lawyer Oscar Goodman, and by the FBI.

Councilman Ricki Y. Barlow, who made the motion to approve the extra funding today, has said in the past he supports it as an additional tourist attraction for the downtown.

Happy Birthday, Elvis!

 

 

Elvis would have been 75 years old today had he not died almost thirty-three years ago.  He was one of the premiere entertainers of the 20th Century, that uniquely American century that we are not likely to see again in our lifetimes.

Like Frank Sinatra before him, Elvis found a renewed sense of performing in Las Vegas.  His coming was heralded in the press and billboards for months before he graced the stage of the newly opened International Hotel (now the Hilton).

He had first come to Las Vegas in the 1956 and played the New Frontier Hotel where he was on the bill with Shecky Greene and Freddie Martin and his Orchestra.  The gig hadn't gone well.  The audience was not quite ready for the boy from Tupelo's style. 

Over the years, Elvis returned to Las Vegas to enjoy watching other entertainers.  He and the late Freddie Bell became friends and when Elvis say Freddie do a rendention of "Hound Dog", Presley wanted the song.  Freddie said sure and Elvis went to the top of the charts.

He came back to Las Vegas in the early 1960s to shoot "Viva Las Vegas" with Ann-Margaret.  The film, playing today on Turner Classic Movies as part of an all-day tribute to the King, is one of his best.  Before he was drafted, he had an up and coming career in the movies.  "Loving You" was a hit.  Howard Hawks had wanted him for the part of Colorado in his upcoming western, "Rio Bravo" starring John Wayne and Dean Martin.  But the Army had other plans and Elvis was drafted.

After he returned from the service, he began making a series of musicals.  Some are good, some are hokey.  "Jailhouse Rock" and "Viva Las Vegas" are the two best.  "Viva" has the additional bonus of footage of Las Vegas from the early 1960s when the town, Fremont Street and the Strip looked much different than it does today.

He married Priscilla at the old Aladdin Hotel in 1967.

 

It was supposed to be a secret but UPI bureau chief, Myram Borders, who had grown up in Las Vegas and had returned as a well-known and respected journalist, received a call in the middle of the night. 

"This guy is saying 'I have a big story for you but I need money' and I told him the UPI doesn't pay for stories.  I suggested he call some fairly large newspapers in the East which I knew would be closed anyway.   Well, he called back awhile later saying 'no one's answering'.  I said well, what's the story and he said 'Elvis Presley is gonna get married a the Aladdin Hotel.'" (Interview with Myram Borders, 2003)

"So I went out to the Aladdin and started wandering around the hallways, kind of seeing any indication of a wedding, which I couldn't and the security guards thought I was a hooker, trying to go from room to room or something.  They were trying to chase me out of the hotel all the time and all I was doing was walking up and down hallways.  Finally, about 7:30 or 8:00 in the morning I saw one of the Nevada Supreme Court Justices, David Zenoff, walk into the hotel and I thought 'it's true'.  I asked him why he was there and he said 'I'm gonna marry Elvis Presley'." (Interview with Myram Border, 2003).

How had Elvis come to choose the Aladdin as the spot for his nuptials?  He could have been married at any hotel any town or even the Little Church of the West which was famous for its celebrity clientele.  Well, Presley and Prell, according to George Stamos, had a long-time friendship that dated back to the 1950s.  Though Presley never appeared at a Prell hotel, he was often seen in the Casbah Lounge at the Sahara during the years it played host to Louis Prima and his band, Freddie Bell and the Bellboys and many others.

According to Paula Clark, no expense was spared on the Presley wedding.  "Colonel Parker gave us instructions to use 'unlimited funds' in preparing the wedding and reception.  To miss the crowds, Prell had arranged for them to get their license down at the County Courthouse at 2:00 am.  Just before the wedding, Clark realized that there were no provisions for the press and a ballroom was quickly converted complete with donuts and coffee.

As  100 friends, family and a bevy of writers and photographers gathered to watch the King of Rock and Roll marry Priscilla, Myram Borders' story of the impending wedding hit the wire.  She had scooped them all.

In 1968 he had appeared on NBC in a televised special, "One Night with You".  Dressed in black leather and with a small audience seated around him at the lip of a round stage, Elvis reminded Americans across the country, what his brand of magic was all about.  For a country used to seeing him in M-G-M musicals romancing girls, the performance was electric.

That one night of television paved the way for Elvis to return to the stages of the Las Vegas Strip.  Kirk Kerkorian was building the International Hotel when he signed Elvis to perform there.  Barbra Striesand opened the hotel in July of 1969.

Elvis followed her and Las Vegas was never quite the same.  Sinatra had been the King of the Las Vegas Strip for over a decade.  "Liberace could fill a hotel, Sinatra filled the town." Don Payne, former head of the Las Vegas News Bureau, told me in an interview a few years back.

Elvis' arrival at the International heralded the era of a new King in town.  His shows sold out almost as soon as they were announced.  He played the hotel twice a year, in January and August.  "Elvis: That's the Way It Is" (also on TCM later today) captures not only the experience of seeing Elvis live but also the behind-the-scenes drama as well.

His voice and his style were unique.  We had never seen anything quite like Elvis Presley when he blazed on the scene and held us enthralled with his performing.

All these years later, we likely never will again.

Happy Birthday, Elvis!

Here's the schedule for Turner Classic Movies' salute to the King (Friday, Jan. 8th - All Times PST):

3:15 AM Harum Scarum (1965)
  An American film star is kidnapped in the Middle East. Cast: Elvis Presley, Mary Ann Mobley, Fran Jeffries. Dir: Gene Nelson. C-85 mins, TV-PG, CC, Letterbox Format
4:45 AM Kissin' Cousins (1964)
  A singing military officer gets mixed up with his look-alike hillbilly cousin. Cast: Elvis Presley, Arthur O'Connell, Yvonne Craig. Dir: Gene Nelson. C-96 mins, TV-PG, CC, Letterbox Format
6:30 AM Spinout (1966)
  A singing race-car driver has to choose among three amorous females. Cast: Elvis Presley, Shelley Fabares, Diane McBain. Dir: Norman Taurog. C-93 mins, TV-PG, CC, Letterbox Format
8:15 AM Roustabout (1964)
  A female carnival owner hires a hot-blooded young singer to save her touring show. Cast: Elvis Presley, Barbara Stanwyck, Joan Freeman. Dir: John Rich. C-101 mins, TV-PG, CC, Letterbox Format
10:00 AM Girl Happy (1965)
  A rock singer is hired to chaperone a gangster's daughter in Fort Lauderdale. Cast: Elvis Presley, Shelley Fabares, Gary Crosby. Dir: Boris Sagal. C-96 mins, TV-PG, CC, Letterbox Format
11:45 AM Speedway (1968)
  A race car driver tries to outrun the beautiful tax auditor out to settle his account. Cast: Elvis Presley, Nancy Sinatra, Bill Bixby. Dir: Norman Taurog. C-94 mins, TV-PG, CC, Letterbox Format
1:30 PM Blue Hawaii (1961)
  A Hawaiian playboy defies his possessive mother to take a job with a tourist agency. Cast: Elvis Presley, Joan Blackman, Angela Lansbury Dir: Norman Taurog. C-101 mins, TV-PG, CC, Letterbox Format
3:15 PM Viva Las Vegas (1964)
  A race-car driver falls for a pretty swimming instructor who wants him to slow down his career. Cast: Elvis Presley, Ann-Margret, Cesare Danova. Dir: George Sidney. C-85 mins, TV-PG, CC, Letterbox Format, DVS
4:41 PM Short Film: Romantic Nevada (1943)
  C-9 mins,
5:00 PM Elvis on Tour (1972)
  Extensive concert footage highlights this documentary about the King's touring in the early '70s. Cast: Elvis Presley, James Burton, Glenn D. Hardin. Dir: Robert Abel, Pierre Aldridge. C-93 mins, TV-G, Letterbox Format
6:42 PM Short Film: Look At The World Of Soylent Green, A (1973)
  C-10 mins,
7:00 PM Elvis: That's The Way It Is 2001 (2001)
  Restored version of the King's classic Vegas concert film. Cast: Elvis Presley. Dir: Denis Sanders. C-96 mins, TV-14, CC, Letterbox Format
9:00 PM Jailhouse Rock (1957)
 

After learning to play the guitar in prison, a young man becomes a rock 'n roll sensation. Cast: Elvis Presley, Judy Tyler, Mickey Shaughnessy. Dir: Richard Thorpe. BW-96 mins, TV-G, CC, Letterbox Format, DVS