The El Cortez is a National Historic Place!


We are thrilled to announce that one of our favorite places, the classic El Cortez Hotel and Casino, on Fremont Street has been added to the National Register of Historic Places!!!!!

If you know us, you know we love the El Cortez and we love the fact it has kept its original facade all these years!  Designed by Wayne McAllister, once owned by Bugsy Siegel and pals and owned in its prime by Las Vegas legend, Jackie Gaughan, the El Cortez has sat on the corner of Fremont Street and 6th Street for over seventy years.  At one time, our Sears and Roebuck was located across the street. Bet you never bought your back to school clothes at a store across the street from a casino but those of us who grew up in Las Vegas back in the day, WE DID!!!!

When Jackie Gaughan sold the Cortez a few years ago, everyone held their breath. What would happen? Would he sell to developers who would raze the hotel? Would he sell to someone who didn't understand its history or appreciate its neon? Crisis was averted because Jackie kept the casino (and surrounding properties) in the family.

Mike Nolan and his team went to work on restoring the interior of the El Cortez which by then, was known more for its smoky interior and its geriatric clientele.

Today, you can walk through the El Cortez and not feel like your lungs are on fire. Today, the El Cortez appeals to all ages, hipsters, locals and everyone looking for a bargain in a city better known for high priced table service than bargains.

The El Cortez and those who run the hotel have been on the forefront of anchoring the East Fremont Entertainment District and doing all they can to encourage locals and visitors to look beyond the neon canopy of upper Fremont Street and join the fun.

In a city known more for demolitioning it's historic buildings in a party atmosphere, the El Cortez stands as a reminder that classic Las Vegas is worth preserving!

Congratulations to the El Cortez for joining the National Register and all those involved in making this happen!!!!

El Cortez Hotel and Casino, located at 600 Fremont Street in Las
Vegas, was listed in the National Register of Historic Places (NRHP) on February 13, 2013.
The National Register is the nation’s official list of cultural resources worthy of preservation.
When it opened in 1941, Fremont Street’s El Cortez became the premiere hotel/casino in
downtown Las Vegas. The popularity of El Cortez helped bolster the city’s economic
development while its various owners helped define the city as it emerged as an international
entertainment capital. Following the 1959 installation of the “Welcome to Fabulous Las
Vegas" sign (NRHP listed 2009), new resorts established the Las Vegas Strip and later
eclipsed the popularity of downtown. El Cortez, however, would remain a constant presence
in downtown Las Vegas.

Constructed in 1941, El Cortez is primarily Spanish Colonial Revival style but reflects the
1952 remodel when the façade was ‘modernized’ and the marquee and prominent rooftop
signage were added. El Cortez remains one of the oldest establishments on Fremont Street
and is the only establishment to continue operation under its original name. Today, El Cortez
Hotel and Casino continues to convey the feeling of 1952 Las Vegas.

“We are pleased that such a beloved and well-tended icon has been given this national
recognition. We encourage visitors looking for an authentic vintage Las Vegas vacation to
seek out this cherished resource,” said Rebecca Palmer, acting state historic preservation
officer.


 

History of the El Cortez: http://classiclasvegas.squarespace.com/downtown-history/2007/5/3/a-brief-history-of-fremont-street-cont-1.html

 

Other stories:

http://classiclasvegas.squarespace.com/classic-las-vegas-blog/2012/9/8/el-cortez-is-going-for-historic-designation.html

http://classiclasvegas.squarespace.com/classic-las-vegas-blog/2009/5/10/el-cortez-opens-its-new-cabana-suites.html

 

New episode of Vegas-Our REVIEW

Thanks again for your patience!!

 

 

Solid Citizens  Vegas 1.4

Last week, Vince Savino and Mr. Fowler, the Mormon banker based on real life Vegas banker, Parry Thomas,  circled one another. This week, they became business partners. Also, dropped into the conversation, Mrs. Savino was to arrive within a few hours.

The Stern and Nahm casino looked like it was supposed to resemble the old Northern Hotel and Casino where back in 1931, owner Mamie Stoecker got the first gaming license issued in Nevada.

As Savino waited for his wife to arrive and looked out over Downtown/Strip (all thrown into the stew of just being Las Vegas), there was a glimpse of the upper floor façade of the what the Apache Hotel used to look a bit like before it became Benny Binion’s Horseshoe Club. And I still maintain,  a character modeled after Benny (and his buddy Dobie Doc and his chauffer Gold Dollar and Florence Murphy and etc, etc) would have added some much needed characterization and color to this show. Call me crazy. This show could use some characters and some color.

Laura Savino was a looker and though she said she’s impressed with Las Vegas she didn't sell it very well. Once inside, she did like the swankiness. She was introduced to Mia who offered to show her around town.  That could be interesting.

Meanwhile Katherine and Dixon were trying to figure out what happened to Danny Cornero by going through boxes of arrest records. Don’t ask. It just allows a brief respite of what passes for levity on this show as Ralph, Katherine, Dixon and Jack trade bad one-liners before the mayor arrived to save us all.

The mayor was happy with the job that Ralph was doing and wanted him to run for the office of Sheriff. At least they got the part about the Elk’s Lodge being a political player back then right.

Cool mid-century modern home that was owned by Greg Parkman (sorry, that ‘s his character on Heroes), Milt Larson, a happily married highway contractor who was a gaming commission officer (casinos need his vote to get a license)whose son was just kidnapped while his wife tried to chase the car down the street. The kid left his hula hoop behind so we would know that it’s 1960.

Ralph and Jack were on the case in a really great looking MCM modern neighborhood that’s not in Las Vegas. They found the car that the kid was in but it exploded into flames as Jack kept Ralph from burning himself to death by rushing into the burning car. (Sorry, I know you had images in your head).

A title card told us the phone was ringing in Milwaukee while the soundtrack played “Smoke Gets in Your Eyes” while a cigarette burned in an ashtray for all of us wondering where the smokers have been hiding for four episodes. A guy, looking like Willem Dafoe in Mississippi Burning answered the phone, identified himself as Jones and appeared to be a fixer of some kind. He said he was on his way to Vegas.

Meanwhile, Ralph was checking out the burned out car and trying to make sure that the kid was not in the trunk of the smoldering car. He told Dixon to call for man-power despite the fact that he has an entire department at his disposal. He coacheed Jack to talk to the parents and not to use past tense when talking about the kid. Because Jack, despite being an adult, must not be much of thinker despite the number of times we have seen him use his brain instead of his brawn.

The Savinos were in their suite. Vince was telling the missus about what he had planned for the evening (no, not that, this isn't HBO), including dinner at the Cadallic room at the Flamingo (what, they couldn't get the name of the gourmet room at the Flamingo right??????)and Sammy’s second show (that would be the late show at 1:00 am) and tomorrow they’d been invited to the Country Club by the banker and his wife.  Mrs. Savino wasn’t quite sure what to make of all this. She mentioned “the girls” (again, this isn't HBO so don't go there) and Savino in a piece of expository dialog informs us that ‘the girls’ are in boarding school and he wants Mrs. S to move to Vegas. She balked, that’s not “their arrangement”.  “It’s what I want”, he told her.

He reminded her that he promised her the straight life and now “it’s right in front of us” (Yeah, right, then there wouldn’t be a show unless this show is going to be about Savino trying to go straight.).  “Just think about it”.

The scene cut to Ralph talking to the Larsons and trying to keep their hope up. “You have something that they want and they don’t have it. Which means Tim is alive” Ralph told them with a grim look on his face. Parkman Larson promised to cooperate, he just wanted his boy back.  (Hmmm, which  hotel owner could need something favorable from the gaming commission. They want us to think it’s Vincent but that seems rather obvious).

The extra man power that Ralph asked for was the Indian tracker/ranch hand that we haven’t seen since the first episode. He was going over the car pointing out clues to Dixon.

Speaking of Savino, Ralph went to The Savoy to ask Savino which one of his mob friends might have done the kidnapping. Ralph got paternal and then reminded Savino that he’ll need the Gaming Commission’s permission to take over the Tumbleweed. Savino reminded Ralph that in the long run a “suitcase full of cash” would probably work better than kidnapping the kid. Ralph’s not happy. (Imagine that).

Another phone call, Jones from Milwaukee had arrived and Savino was not happy (Imagine that). He went downstairs to welcome him. Jones was in town looking for Davey. Savino said the heat was on Davey and maybe he split town. Jones wssn’t buying it (imagine that). And he doesn’t drink. Savino was not happy (imagine that) that Jones was there because whenever he shows up “bodies start dropping” and that wouldn’t  look good with the missus in town.

Mrs. Larson was a crying mess and Jack was trying to reassure her that everything was going to be okay. We were about 15 minutes into the show and the drama felt really flat. The phone rang (the motif of the week) and with the call being traced, the kidnappers demanded $80k and ‘to keep the law out of this. Cross us and it’s the last time you hear his voice.” (Yes, every cliché of every kidnapping drama since television began is checked off).

Back at the Sheriff’s Office, we learned that the call had been traced to Eastland Heights. We had a lot of subdivisions in Las Vegas back then, but Eastland Heights wasn’t one of them. That’s one of the big problems I have with this show is the fact that they don’t even try to get the details, big or small, right. Don, the tracker,  showed up and showed Ralph a lighter with a military insignia that he found and that started the fire. Ralph was fired up.

Meanwhile, Mrs. Savino and Mia were having cosmos and talking. Mrs. Savino told us how she met Savino (imagine ever mob drama since television began and you get the picture).

Jones interrupted a couple making whoopee. He was, of course, looking for the sandwich (the drop) that didn’t make it to Milwaukee when Davey went missing. Jones said the envelope felt light. The woman promised to pay it back. The woman dropped the sheet hoping she can square the deal right then and there. If Jones doesn’t drink, he probably isn’t going for that.

The Lambs were still trying to find the Larson boy. They headed to the Kings Motel out off of Cypress (again, how hard would it be to get it right). Jack and Ralph butted heads over Dixon. Jack reminded Ralph that while Ralph was in the army, Jack was running the ranch  and raising Dixon. Ralph just got mad. Ralph only seems to have two emotions, mad and not so mad.

A shoot out at the Kings Motel (nice art and set direction) commenced with Jack pinned down because despite the whole Sheriff’s office, Ralph only ever seems to bring his brother, son and Don with him for back up. The guy they were looking for was killed in the shoot out.

They showed pictures of the dead man to the Larson family. They didn’t recognize him. Since Tim wasn’t rescued, Parkman Larson was afraid it would get his son killed. Mrs. Larson recognized the kidnapper as “the floor man who worked for my father”. The Lambs got kicked off the case. As they walked out, the two brothers talked about the brief case they saw (because everything about this show is better told to us than shown) and how the Larsons must have been planning to handle this on their own. Ralph, of course, won’t let that happen.

I wonder if the MCM neighborhood they shot the Larson home in is the Eichler neighborhood in Woodland Hills because it’s a great looking neighborhood.

Savino and friends discover that Jones had killed the girl in the sheet and Savino’s fears of his dinner at the country club with his wife and the Fowlers was going up in smoke. He wanted it taken care of.

While they waited for the car, Mrs S mentioned that Vince was nervous. She told him to believe in himself.  When she got in the car, she noticed a bullet has grazed the interior. She wanted to feign sickness but Vince wouldn't let her. He grasped her hand tightly. (Because this is Television 101).

Ralph and the Mayor had a go-around.  Ralph was in over dramatic mode (How can you tell from his other modes???). It would be  nice if Quaid had some actual material to work with. Ralph blamed coming to the job every day and “how it changes a man and the people it brings with him”.  Well, Crime Story told a similar story with more verve, more characterization and better scripts and didn’t have to hammer us over the head in episode 4 about it.

“This city needs you” the Mayor told Ralph.

Katherine and Ralph interrogated Wade Wilson who gave the kidnapper $20k. Ralph threatened to reach up inside of the guy and pull it out. The story gets convoluted. Long story short, the guy who loaned the kidnapper the money wanted his money back (Are you surprised????). The payback was supposed to take place tomorrow.

After the commercial break, we were back in Ralph’s office with Ralph, Jack, Milt Larson and his brother. Ralph strong armed the brother and reminded him that a kid’s life was at stake. (Now remember, we haven’t seen this kid since the top of the show so any empathy we might have for him is all based on exposition instead of drama).

Parkman Larson realized his brother screwed him over and was responsible for his son being kidnapped. Ralph was now even more unhappy and even angrier (if that's possible).

So, at this point we had a kidnapping, Jones in town looking for Davey and Mrs. Savino in town with Vince trying to convince her to move to this desert oasis.

Ralph dressed up as Larson and did the drop. Luckily the kidnappers were as dumb as rocks.  Jack took out one of the bad guys and Ralph fought the other and threatened to shoot the guy into being a paraplegic the rest of his life. (Imagine that, the bad guy gave up the kid's location. I'm stunned.)

Ralph went to save the kid. (Would it be any other way???) and found him in a basement. The soundtrack was a modern song by Ryan Bingham. The family was reunited. Larson apologied for doubting Ralph. Mother and son had a reunion without the help of Paul Simon.

Jones found Davey’s car at the Mojave Airport, oops McCarran Airport. It was a set up. (You’re stunned, right?)  Seems Savino set up the red herring of the car.

With Dino singing “You’re Nobody”, we found out the details of the set up. Jones had left town for the City of Angels in his futile search for Davey.

Vince told us that everything went well with Fowler at dinner and the Tumbleweed is essentially his. He was thrilled Mrs. Savino had decided to move west but she had a hitch. (You’re stunned, right?) Vince has to be completely honest going forward. (Raise your hands if you see this being an epic fail.)

Katherine and Dixon were still trying to track Davey. They, too, knew he didn’t make it back to Milwaukee. Dixon said there was corn shaft in the undercarriage of Davey’s car. There was some talk about the corn but my DVR messed up for a few seconds so I didn’t get all the details of the Anthony Spilitro like death that befell Davey.

Dixon wasn’t happy being chained to a desk. He and Ralph butted heads. Ralph thought Dixon shouldn’t be in the line of fire and wanted him to stay out of the Savino business. (Raise your hands if you think that will stick.)

Ralph and Savino met way out of town. Ralph invited him out to the boonies. “You crossed a line.” Ralph told him. “Secrets don’t stay buried, neither do bodies.”

Vince told him “We all end up in the ground some day”

"It matters how we got there” Ralph retorts. “Chew on that.”

As Savino drove away, I guess we will have to chew on our cheeks because next week is pre-empted due to being Election Night.

I’m thinking there is a drinking game in this show (especially every time Ralph grimaces). By the time the show returns in two weeks, I should have that figured out.

In the meantime, I’ll be posting in the days ahead about what I think works and doesn’t work on “CBS’s #1 new show”.

How about you?  Hit the comments and tell us what you think of this week's show!!!

Review of "Vegas"

Welcome to our weekly review (from someone who grew up there during that time and has chronicled the 20th century history of her hometown) of  Vegas (2012), the new drama on CBS starring Dennis Quaid and Michael Chiklis. Quaid plays Sheriff Ralph Lamb, the real life Sheriff who squared off against the bad guys in 1960s and 1970s Las Vegas. Chiklis plays Vincent Savino, a Chicago mobster who has come to Las Vegas because his casino, The Savoy, needs cleaning up.

Jason O'Mara plays Jack Lamb, Quaid's brother. Where Ralph is quiet, taciturn and hard headed, Jack is "much better with people". Carrie-Ann Moss plays fictional deputy district attorney, Katherine O'Connell. According to her character, her family had the ranch next to the Lamb family. She and Quaid have chemistry together and the story hints at a backstory between the two. Lamb is a widower when we meet him with a young son who looks to be in his early twenties.

Right now, all four main stars are playing archetypes instead of characters. Here's hoping that CBS allows them to develop the characters and become the strong drama that is evident but sadly, in the background right now.

The opening scene begins at the Lamb ranch as Ralph, Jack and Ralph's son were rounding up the cattle. A DC-4 came in low and scattered the cows. Ralph got angry, saddled up and headed to the airport to confront someone about the problem. At the airport, he found the official he was looking for and a fight ensued as Savino was disembarking from the plane and headed toward his ride.

The pilot focused on the murder of a young girl who worked in the credit department at the Savoy Hotel  but whose body was found out at the Nevada Test Site. The mayor, Ted Bennett, (Michael O'Neill), who knew Ralph in the war and fed up with the current sheriff (who more likely than not is corrupt and up in Reno on vacation with a young woman not his wife), sent a deputy to the Lamb ranch to get Ralph. Unbeknowst to the Mayor, Ralph was headed into Las Vegas in the back seat of a squad car, arrested for the fight at the airport. The blue/green screen work of Fremont Street, circa 1960, was quite good (though the far end of Fremont Street was missing the neon Union Pacific sign that anchored the old train depot).

As with other CBS procedurals (see NCIS, CSI: Las Vegas, Criminal Minds, etc), the story focused on the crime and by the end of the episode Ralph had kept his friend, Katherine O'Connell from arresting the dead girl's boyfriend, a rodeo rider, for the crime and had figured out who the real killer was.

A sub-plot involving bikers tearing up the town brought back memories of the original story of Lamb facing off against Hell's Angels in the late 1960s.

At the end of the hour, the original sheriff had been dispatched thanks to the district attorney and Savino's crew and his murdered body had been found, prompting Ralph to take the job on full time.

Quaid's character is  very much cut from the same mold as Jethro Leroy Gibbs on NCSI but, hopefully, going forward, he will become his own character and not a mirror image of the beloved Gibbs.

Michael Chiklis has the harder role, especially right now. Vincent Savino is a hood from Chicago with very little back story. He and Quaid are on the path to a showdown but without more character, back story and story telling, that showdown could ring hollow.

If cable dramas from Justified to Breaking Bad to Mad Men has taught viewers anything it's that it's possible to mine the depths of character and create a compelling story that brings viewers back every week to see what happens and propels the story forward.

CBS has two shows that they have allowed to do that- The Good Wife and Person of Interest. Here's hoping CBS gives Nick Pileggi (author of Casino) and showrunner Greg Walker (Without a Trace), the freedom to do what Robert and Michelle King and Jonathan Nolan and Greg Plageman have done for their shows.

Pilots are always tricky to judge how a series will play out because so much has to be established in a short amount of time and networks want to hook viewers. It's doubtful people are tuning in to watch CSI: The 1960s and are much more interested in watching "the battle for the soul of Sin City" as the ads tout the premise. If CBS gives them the freedom to make the latter, it will make Vegas a show worth watching and worth investing in.

Various thoughts about everything from the production design to the story to the characters:

The opening scene with the DC-4, Ralph and the airport: McCarran Airport was a small airport but not quite that small. If it was supposed to be Alamo Airways, it wasn’t close. George Crockett would not have allowed something like that.

The showroom at the Savoy had good production design. The showgirls were very Copa like. But I'm still not sure where The Savoy is located- Fremont Street or the Strip? Interior of the The Savoy was very nice, the exterior too far out to the street.  Unlike today, hotels on the Strip had long drive ways, a porte cochere and were built to catch the eye of drivers. If it was supposed to be on Fremont Street, it was out of place. The showroom with the Copa-like showgirls made me think it was supposed to be on the Strip. To their credit, someone did their homework because they got the interior right. Strip casinos back then weren't covered end to end with slots and gaming tables the way they are today.

Great job of Fremont Street. Only problem was it looked like the Fremont hotel was briefly on the same side of the street as the Nugget. If so, oops! Also, oops, the Golden Nugget had a weeping mortar facade, not the fake MCM facade seen on the show.

Great seeing William Russ, even if it was too briefly. (Made it a nice shout-out to Wiseguy, the Ken Wahl show that included  a law man and a gangster one season). Russ plays a well-connected real estate owner who owns a great deal of land (either on Fremont Street or the Strip, that part wasn't clear) and the local BBQ joint (nice neon) that wasn't really part of the Fremont Street landscape but Fremont Street back then had a number of popular eateries that catered to the locals as well as the gamblers, so it fits. Hopefully, Russ is a recurring character.

Dennis Quaid has a great face for the part (bad haircut and all)  and Chiklis is terrific as Vincent Savino, even if his character needs more meat on his bones.

Props to the Production Designer, Marek Dobrowolski, for creating various sets that while they may not be historically accurate, evoke that era before post-war Las Vegas exploded into the Entertainment Capital of the World.

Director James Mangold (3:10 to Yuma, Walk the Line) brought the flair and drama in equal proportions.

Nice shout out to Warm Springs. We used to go to Warm Springs when I was a kid in the early 1960s.

Nice neighborhood Ralph’s son’s chippie lives in. Seemed very Vintage Vegas.

A casino that was modeled after the Mint!!!!!  (Looks like it’s called, The Dice Club) You could see the arch of the pylon sign through the window when Mayor Bennett was talking to Katherine and the district attorney. And for the record (I've seen viewers criticizing them for this point), there were a small handful of pioneering female lawyers practicing in Las Vegas in 1960.

The Boulder Club got a shout out (though it was in the wrong place)! The Silver Palace was in the wrong place but the two story buildings that you could see from the Mayor's windo were spot on.

The Nevada Test Site is a bit of a hike to dump a body but it makes for good story telling. Though there was still above ground testing going on so the possibility of getting on the Site to dump a body or a bunch of bikers going for a ride out there were severly diminished.  And for the record, Boulder City is nowhere near the NTS.

Quaid and Moss have good chemistry.

Quaid and Chiklis have a good adversarial relationship.

Ralph's son isn’t a teenager (thank you Lord!), is lippy and has good chemistry with O’Mara.

It wasn’t quite as rural as they would like you to believe.

Westward Ho neon was a nice touch, very retro would have been better to be the Yucca or the Rummel (both are still standing).

The DA is crooked or certainly appears to be.

Where are all the smokers?

It’s not quite our history but it makes a good story. (am I the only one who thought of Crime Story while watching this show?)

Here's hoping they do something good and dramatic with it.

Hoping, hoping, hoping.......

 

 

 

 

Feel free to leave comments!!!!

Neon Museum Officially Opening Oct. 27th

 

 

 

THE NEON MUSEUM TO OFFICIALLY OPEN TO THE PUBLIC  ON SATURDAY, OCT. 27

 
Featured Attractions Include Guided Tours of Neon Boneyard,

New Visitors’ Center Inside Historic La Concha Motel Lobby

 

After more than 15 years of planning, the Neon Museum, a Las Vegas historical institution dedicated to the preservation and celebration of some of the city’s most distinctive architectural landmarks, will officially open its doors to the public on Saturday, Oct. 27.

 

The Neon Museum, home to a collection of more than 150 neon signs dating from the 1930s, is the largest collection of neon signage in the world and a unique record of Las Vegas’ colorful history. Inside a two-acre outdoor museum space known as the Neon Boneyard, iconic signs from the city’s most celebrated properties — including the Moulin Rouge, the Desert Inn, the Flamingo and the Stardust — are displayed alongside those from various other bygone restaurants, hotels and businesses.

 

The museum’s new visitors’ center will be located on-site in the recently rehabilitated La Concha Motel lobby, the seashell-shaped, Mid-Century Modern architectural masterpiece designed and built by architect Paul Revere Williams. Originally constructed in 1961 on Las Vegas Boulevard South, next to the Riviera Hotel’s current location, the La Concha lobby was saved from demolition in 2005 and moved to its current location in downtown Las Vegas in 2006.

 

According to Bill Marion, chair, Neon Museum’s Board of Trustees, the museum’s official opening will bring both a significant cultural and economic impact to the community. “There is renewed interest in ‘old’ Las Vegas and in the rediscovery of the historical downtown area. The Neon Museum will play a major role in this renaissance by bringing new visitors to downtown Las Vegas, by creating additional opportunities for tourism growth and by adding to the ongoing economic revitalization of the area,” says Marion.

 

Tours of the Neon Boneyard, which last approximately 45 minutes, will be available to the public every half hour starting at 10 a.m., with the last tour departing at 4 p.m., every Monday through Saturday. Tickets are $18 for adults; $12 for students with valid ID, senior citizens, veterans and Nevada residents.  Children ages 6 and under are free. Tour capacity is limited. To ensure admission on the date and time desired, visitors are advised to purchase their tickets in advance through the Neon Museum’s Web site, www.NeonMuseum.org. The La Concha Visitors Center will be open Monday through Saturday from 9:30 a.m. until 5:30 p.m. Both facilities are located at 770 Las Vegas Blvd. North, Las Vegas, NV, 89101.

 

“Visitors from around the world have been eagerly anticipating the Neon Museum’s opening for many years, so it gives us tremendous pleasure to be able to unveil this remarkable and historic collection to the public,” says Danielle Kelly, executive director, Neon Museum. “Our goal is to give guests an enhanced appreciation for Las Vegas’ rich visual culture while celebrating the beauty and craftsmanship of a distinctly modern art form.”


In addition to the Neon Boneyard and visitors’ center, the Neon Museum has partnered with the City of Las Vegas to create the Las Vegas Signs Project, in which restored signs from the museum’s collection have been installed on Las Vegas Boulevard between Sahara and Washington Avenues — a stretch of roadway that has been designated a National Scenic Byway by the U.S. Department of Transportation. Currently, seven restored signs from the 1950s are on display, including the Silver Slipper, the Bow & Arrow Motel, Binion’s Horseshoe, Society Cleaners, the Lucky Cuss Hotel, the Normandy Hotel and the Hacienda Horse and Rider.

 

The museum’s collection also includes nine restored signs installed as public art throughout the downtown area. The Downtown Gallery begins on Fremont Street at Las Vegas Blvd. and extends west toward Third Street. Signs in this gallery include Aladdin’s Lamp, The Flame Restaurant, the Chief Court Motel, Andy Anderson, The Red Barn, Wedding Information, the Nevada Motel and Dots Flowers. Further south, the 5th Street Liquor sign, located on Casino Center St. near Garces Ave., features a classic example of the type of animation that was frequently used in neon signage, and the Landmark Hotel sign, located on Paradise Road near Convention Center Dr., has been placed near the site where the iconic property stood until its demolition in 1995.

 

ABOUT THE NEON MUSEUM

Founded in 1996, the Neon Museum is a non-profit 501(c)3 organization dedicated to collecting, preserving, studying and exhibiting iconic Las Vegas signs for educational, historic and cultural enrichment. In addition to a two-acre outdoor exhibition space known as the Neon Boneyard, the museum also encompasses a visitors’ center housed inside the former La Concha Motel lobby as well as 16 restored signs installed as public art throughout downtown Las Vegas. Public education, outreach, research, archival preservation and a grant-funded neon sign survey represent a selection of the museum’s ongoing projects. Both the Neon Boneyard and the La Concha Visitors’ Center are located at 770 Las Vegas Blvd. North in Las Vegas. For more information, visit www.NeonMuseum.org or follow us on Facebook or Twitter.