Claudine Williams, An Appreciation

I'm recovering from Helldorado and will be posting more about that later tonight.  But in the meantime, I hope you enjoy my buddy, John L. Smith's piece on Claudine Williams, who passed away last week:

Claudine Williams was raised in the rackets and proud of it. As a schoolgirl in Louisiana and Texas, when others her age were practicing their arithmetic, she was putting her skills to a practical use by dealing cards at a backroom casino. She was just 15 years old.

Williams, who died last week at age 88, would go on to enjoy a hugely successful business career, shatter barriers for women in the male-dominated gaming industry, and see her name added to Nevada’s gambling and business halls of fame, and become known as a generous philanthropist and contributor to higher education in Nevada.

Williams did all that without losing the common touch that endeared her to friends, employees, and customers alike.

With her running mates Thalia Dondero and Kitty Rodman, Williams made the scene at the best restaurants in Las Vegas until just a few months ago. Dondero, the former Clark County Commissioner and longtime University Regent, and Rodman, who helped run building giant Sierra Construction, had plenty in common with their closest friend.

But even in that trio of groundbreaking women Williams was a standout. When you’ve come up during gambling’s rough-and-tumble days and managed to thrive well into the corporate era, you’re something special. And she was.

Claudine took her first job in the casino business at 15 in an effort to support her family. After breaking in, she ran an after-hours club in Houston for a while and dealt cards in a hush-hush gambling joint before catching the eye of one of Benny Binion’s associates.

The fellow called Binion and said, “I’ve got this smart girl I want to send down to you.”

“Good,” Binion replied. “I’ve never met one of those.”

Williams strolled into that chauvinistic atmosphere and proceeded to soak up knowledge and learn the intricacies of a deceptively complex and at times treacherous business.

Binion gave her more than a job; he provided a chance for the kind of education not taught in public school.

Williams is recognized as the first woman in Nevada to lead a major casino, operating the Holiday Casino on the Strip for many years following the death of her husband, gambling pioneer Shelby Williams. In a rare husband and wife partnership, Shelby and Claudine operated the Silver Slipper until they sold it at a handsome profit to Howard Hughes in 1969.

After Shelby’s death in 1977, Claudine emerged as president and general manager of the Holiday, a first in Nevada for a woman. When the Holiday was purchased by Harrah’s, Williams remained with the corporation.

In an interview for my 1995 book on Steve Wynn, “Running Scared,” Williams was charming and candid as she described the kind of risk-taking personality necessary to make it in the gambling business. It was one of the things she admired about Wynn. During the interview she recounted how she’d had to pawn her own jewelry for cash to put down on real estate during her business career. Those risks clearly had paid off for her.

In an interview a decade later for my book on casino host and Vegas character Dan Chandler, she laughed as she keenly described big Dan’s sense of humor. When it came time for Chandler’s irreverent 2006 memorial service at the Las Vegas Country Club, Claudine was the hit of the gathering.

According to Nevada’s official online encyclopedia, Williams in 1981 became the first woman in Nevada history to chair a bank board of directors when she took over the helm at American Bank of Commerce. More recently her generous donations to UNLV created dormitories and provided scholarships for a generation of students who received the educational break life’s circumstances denied her in youth.

Joanne Goodwin, associate professor of history at UNLV, conducted the interview with Williams that was published in 2007 and titled, “Claudine Williams: A Life in Gaming.“

“A real woman of grace and integrity is kind of what I found her to be,” Goodwin said. “When I did the interviews in her office at Harrah’s, there was always this great feeling of care and respect for the people she had worked with in the casino. When we did the photo shoot there for the cover of the book, it was real clear to me that respect was on both sides. Dealers and even security guards fell all over themselves with respect for her.”

In her oral history, Williams explained how her formal studied had stalled in high school and had been supplanted by her gambling education.

"I didn't have an education,” she told Goodwin. “I know how hard it is in business without one. I had to stay up late at night and study something when the others went on to sleep because they already knew it. I had no choice. I want to try to help anybody that wants an education.

"I'd like for the young people to realize that without an education they may be working for minimum wage the rest of their life. It's a different time and everything else is electronics and engineering. Listen, even to be a waiter you've got to work a computer. And young people a lot of times want to quit school 'cause they're making a good bit of money bussing. Or, I would like to try to convince them how hard it is out in the world without an education. You've got to work twice as hard."

Williams always put her money where her mouth is. She was an original member of the UNLV Foundation, and a dormitory is named in her honor on theuthern Nevada campus.

Although Williams was wildly successful by anyone‘s measure, Goodwin was impressed by work ethic. “She said she knew how to deal every game in the casino,” Goodwin recalled. “She always wanted to be prepared to do so.”

For many years Williams kept an office at Harrah’s, and it was always known as a place an employee of any station would find a sympathetic ear. After all, they were dealing with someone who had literally been in the gambling racket her entire life and had worked from the ground up.

“They would come in and they would talk about the things that were going on in their lives, the good and the ugly,” Goodwin said. “It wasn’t something for P.R. She was a worker all her life. I think she understood that (working class) perspective in a way that’s maybe gone now.”

Rather than tell gory stories of the perils of being a woman in a man’s world, Williams told her interviewer that it was her hard work and straight-ahead style that had impressed her toughest critics.

“She was really rather consistent in telling about the feeling that if you put your head down and did the work you would gain the respect, and that she had been treated very well by the businessmen at that time in this community,” Goodwin recalled.

---

Williams provided inspiration to a generation of women who knew her struggle and success. Before she became a Vice President at Harrah’s Entertainment, Jan Jones was a success in her own right. With a degree from Stanford, Jones had reached a crossroads in her business career and was considering running for political office.

She turned to her friend Claudine for advice.

“Claudine is the one who told me to run for mayor,” Jones recalled.

“We were walking through Neiman Marcus, and we talked about my plans. She said, ‘I think you should run for mayor, and I’ll support you.’ And she did. I could always count on Claudine.”

When Jones returned to the private sector at Harrah’s she watched Williams deal with working stiffs and casino executives with uncommon understanding.

“She had a grace, tenacity, intelligence, integrity, worth ethic, and a confidence in herself that didn’t require her to be pushy or abrasive,” Jones said. “If she walked into a room ... Claudine controlled that room. Many of the men in the gaming industry learned their craft from Claudine. She didn’t learn from the men.

“And that skill enabled her to go back and communicate with her employees. They would have done anything for Claudine because she was so fiercely loyal to them. She found that balance between being incredibly confident and successful, but not doing it at a loss of her humanity. She was one of the most beautiful people I have ever known.

“Some people become seduced by the kind of business this is: The glitz and the glamour and the money and the power, and the accoutrements. I don’t think Claudine could have cared less. She cared about her employees and cared about the business.”

Jones made it clear that Williams was so much more than a successful gaming icon.

“When you look at this whole list of what she’s done, it shows she was accomplished, but it doesn’t capture how fearless she was: How willing she was to push the envelope, but do it with such a gentle touch.”

For Jones, Williams’ appreciation for the importance of education cannot be overstated.

“That was one of the reasons she did support the university to such an extent,” Jones said. “She’d never been able to have that, and she still succeeded beyond what most people could ever imagine in a lifetime. But she always wanted others to have more, to be better. She was so humble.

“I can’t remember ever calling Claudine and asking her for anything whether it was advice, support, or consideration of a donation that she ever said no. And yet she never did it for recognition.”

She was a hard-working Louisiana girl at heart.

Her combination of business acumen and strength of character made her a one-in-a-million woman on the Boulevard.

 

 

Claudine Williams, Las Vegas casino legend, dies

John Smith at the Las Vegas Review Journal remembers the woman who reached for the glass ceiling, Las Vegas style:

Claudine Williams, a hard-working Louisiana girl who grew up to become a top Las Vegas casino executive and community philanthropist, has died after a lengthy illness. She was 88 years old.

Williams is recognized as the first woman in Nevada to lead a major casino, operating the Holiday Casino on the Strip for many years following the death of her husband, gambling pioneer Shelby Williams. In a rare husband and wife partnership, Shelby and Claudine operated the Silver Slipper until they sold it at a handsome profit to Howard Hughes in 1969.

After Shelby’s death in 1977, Claudine emerged as president and general manager of the Holiday, a first in Nevada for a woman.

Claudine took her first job in the casino business at 15 in an effort to support her family. She soon did that and more and left high school before graduation. Many years later she would become known as one of UNLV’s most reliable donors.

He life at times was rough and tumble. She operated an after-hours night club before coming to Las Vegas, and once told me in an interview that she’d had to hock her own jewelry on more than one occasion in order to hold a piece of real estate.

According to Nevada’s official online encyclopedia, Williams in 1981 became the first woman in Nevada history to chair a bank board of directors when she took over the helm at American Bank of Commerce. More recently her generous donations to UNLV created dormitories and provided scholarships for a generation of students who received the educational break life’s circumstances denied her in youth.

 

Shecky Greene returns to the Las Vegas Stage

 

 

 

Entertainer Shecky Greene is returning to Las Vegas later this week when he makes his first appearance in years.  Shecky will be headlining at the Suncoast Hotel from Friday, May 15th through the weekend.  So, if you have never seen Shecky or you want to see him again, here is a rare opportunity to see one of the legends from the days when Las Vegas was the Entertainment Capital of the World.  The other upside, the showroom at the Suncoast isn't gargantuan so you'll get an opportunity to see Shecky in venue similiar to the old days.

From today's Las Vegas Review Journal:

For many comedians, where there is laughter, there is pain. But, few comedians have experienced as many highs and lows as Shecky Greene, who started performing in the 1940s while in high school and continues today, with shows this weekend at the Suncoast.

Many of Greene's highs and lows took place in Las Vegas, from rescuing two financially strapped hotels and kick-starting the lounge scene to developing drinking and gambling problems and landing a police number.

"You're the only one I am going to tell this to, Stevie. And you can put it in the Review-Journal," he said. "In the lounge, when I walked out on the stage, the curtain was down. And I would do sometimes five minutes, sometimes 10 minutes, sometimes 15 minutes behind the curtain where I would talk to the musicians and make a joke. I would do this. I would sing a song. ... And you know why? Out of fear. Out of fear. Until I heard them laughing and everything else, and then the curtain went up. Now that went on for years and years and years. And nobody ever knew that."

During his long career, Greene has overcome and survived a nervous breakdown, alcoholism, various other addictions including gambling, bouts with bipolar disorder -- "I am bipolar, south-polar and north-polar," he joked -- two life-threatening surgeries and failed marriages, all of which took their toll.

But Greene is respected as a comedian, frequently listed among the top performers in the field. Bob Hope called him "truly a comedian's comedian," and Jerry Lewis said he is "the epitome of comic genius."

Greene was born Sheldon Greenfield in Chicago on April 8, 1926. He developed his humor early.

"I'd do comedy in high school. So many kids who did comedy did the same thing in high school. And I always did dialects," Greene recalled, noting the skill would serve him well throughout his career.

He spent three years in the Pacific during World War II.

"When I was in the service, I was in charge of an ice cream stand onboard the aircraft carrier Bon Homme Richard, and when I got out of the service I went back to my neighborhood with my Navy uniform. I had two gold stars, and someone says to me, 'Boy, it must have been tough over there for you.' And I said, 'Yeah, it was tough, tough.' And they said, 'What was the toughest?' And I said, 'Butter pecan.' "

After the war, Greene began studies to become a gym teacher. But a summer job at a resort near Milwaukee teamed him briefly with Sammy Shore, and Greene turned to comedy.

In the late 1940s, Greene was hired at the Prevue Lounge in New Orleans for two weeks and stayed three years, becoming a partner in the club.

"My club was basically like a lounge. ... That way I created everything, no matter what I'd do, I created it on the spot," Greene told me.

His breakthrough came in 1953 when he opened for actress/singer Ann Sothern at Chicago's Chez Paree nightclub. Then he was offered $1,000 a week for four weeks at the Golden Hotel in Reno, which quickly grew to an offer of $20,000 for a year.

About that time, Greene moved to California to try acting. He also married for the first time, a performer who had worked in a revue at the Stardust in Las Vegas and brought him to the Last Frontier. Greene worked the main room and the lounge at the Last Frontier and continued there when it became the New Frontier. The next stop was the Riviera, where his career "took off" in the lounge.

Greene said musician Woody Herman best described his act. "He'd say, 'You're a jazz comedian.' A jazz comedian, meaning I'd go from here to there to there."

Greene's act was about 90 percent improvisational. "The routines that I even do today I created in the lounges, never in the main room," he said.

He would talk about events of the day or his family and masterfully do impressions. Once Greene did a whole condensed musical version of "Fiddler on the Roof."

Greene never used "blue" material in his act. "In some places I was accused of it because I did double entendre. ... If you came to Las Vegas and worked that way, the people you worked for -- they'd kick you out," he recalled.

Hotel owners felt quite the opposite about Greene. In fact, the comedian actually came to the rescue once when the Tropicana got into trouble.

He had been working at the Riviera lounge, but the Tropicana's new owner, J.K. Houssels, did not want to put a stage in the bar.

"This is a true story," Greene said. "I started to leave, and then I came back and I said, 'What if I put a plywood board over the bar, that section. Would that satisfy you?' " Houssels agreed, and for 19 weeks, by himself and without a main room show, Greene kept the Tropicana going until "Folies Bergere" opened.

Greene stayed with the Tropicana for five years. "I started to get very hot. The place was getting crowded, and the people started coming in, 'cause they never had comedy like that in the lounge. I was the first comedian in the lounge," he said.

He opened the door for other lounge comedy acts such as Totie Fields and Don Rickles.

"Rickles came in because of me," Greene recalled, not boastingly. "My thing was so successful. ... Even the lounge owner of the Sahara asked me, 'Do you think I should bring (Rickles) in?' And I said, 'Yeah, bring him in.' So he brought him in. And I was hoping Rickles would do bad, you know. But Rickles didn't do bad. And my father used to leave my show to go see Rickles. I take an oath to God!"

Later, when the Riviera started to lose business, officials turned to Greene again.

Greene became one of the highest paid entertainers in the business, earning more than six figures a week, putting him in the same company as Johnny Carson and Bill Cosby.

As Greene's popularity in Las Vegas grew, he was invited to appear on variety and late night television shows. For one season, in 1962-63, he portrayed a dramatic role on the "Combat!" television series. He also performed in movies. But he remained a comic on the stage.

Greene worked with nearly every famous performer of his era: Bob Newhart, Steve Allen, Gypsy Rose Lee, Barbara McNair and Vic Damone, to name a few.

When Elvis Presley made his Las Vegas debut with Greene on April 23, 1956, at the New Frontier Hotel, he was billed as the "Atomic Powered Singer." And he bombed.

"Presley was one of the nicest human beings I've ever met. I mean, he was just the sweetest kid in the world. But he was not ready for Las Vegas," Greene recalled, noting that he advised Presley's manager, Col. Tom Parker, to change the young singer's look.

But all the fame and money could not save Greene from the darkness he felt. He tried to cope with the pressure of performing, his unhappy personal life and his compulsive emotional problems by drinking. "What's funny is that I never drank with anybody," Greene told me. "I'd go out alone. ... I was a horrible, horrible drunk -- horrible!"

I asked him if it affected his work. "Yes, it did affect my work," Greene said quietly. "As it became known about me, I started to lose a lot of respect. It got to (people saying), 'Let's go and see Shecky while he's drunk.' Well, I never worked while I was drunk and that's the truth. I'd go out and drink after. I never got on the stage drunk. I lost respect.

"The thing was, in all the time I was in Las Vegas, it became bad for me because I became a gambler, and a bad gambler," Greene added. "In all the years I played there I never won. And I became a drinker, you know. And I had two names, Shecky Greene and on a martini, 4799931, which was my police number."

Becoming serious again, Greene continued: "In Las Vegas, which was my life and my home, I was not happy. And not with Las Vegas, but with what I was doing to myself with the gambling and the drinking. After a few arrests, which were funny at the beginning, they then became more serious, you know. I begged my bosses at the time. I wanted to get out of Las Vegas at the time. I wanted to just quit. But, I was making a lot of money, and they said to me, 'As long as the asses are on the chairs.' They just didn't want to give me up."

"You gotta understand, and this is most important, throughout my whole career that I worked, I was a manic depressive. ... Then I developed panic attacks, and I worked with people who never knew it. I'd get a standing ovation, then I'd burst out crying as soon as I left the stage. I wanted to get out of show business so bad at that time. But when you're making $100,000 a week and supporting 12 bookies, and a wife -- it's difficult."

Greene finally left show business in the 1990s for nearly eight years. He stopped drinking; he had throat surgery and lost his voice for a year. He survived cancer surgery, and through it all he had his beloved wife, Marie.

His attitude and love of life now is boundless. And he enjoys entertaining. "They offered me a part in 'O,' " Greene joked. "They wanted me to be a lifeguard.

"The town really loved me, and I loved the town as far as the people," he said of his Las Vegas experience. "And we had wonderful, wonderful, wonderful people. And when we did something for charity, everybody turned out -- everybody."

Does it bother him that the town has changed from his heyday? "I gotta be very honest with you, Stevie. Times change," he said. "And about the comedy of today, if this is what the public wants, those comics -- and some of them are brilliant, hear what I tell you. ... These are different times, and different audiences. The kind of stuff I talk about goes on (and has gone on) for 2,000 years."

Las Vegas: 1905-1965 Booksigning Friday Nite

Our friends at the Nevada State Museum will be hosting a book signing for my new book, Las Vegas in Postcards: 1905-1965 on Friday evening, May 8th.

My co-authors Carey Burke will be there and there is the possibility that Allen Sandquist will be joining us as well.

The book-signing reception begins at 5:30 pm

At 6:30 that evening, Dennis McBride will moderate a talk with us on how the book came about.

We hope you will join us for a fun-filled evening!

Friday, May 8th

Nevada State Museum

700 Twin Lakes Dr

Lorenzi Park

5:30 pm Booksigning/Reception

6:30 pm Discussion