The Moon Landing, Las Vegas Memories

 

"But the world all stopped to watch it, yeah, on that July afternoon,

They watched a man named Armstrong walk upon the moon"  John Stewart, "Armstrong"

 

Has it really been forty years?  It doesn't seem that long ago.  But the calendar and the television specials all say that forty years have passed since that fateful day on July 20th.

On May 25th, 1961, President Kennedy had said "First, I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth. No single space project in this period will be more impressive to mankind, or more important for the long-range exploration of space; and none will be so difficult or expensive to accomplish."

America rolled up its sleeves and got out its slide rules.  We had put Alan Shepard into space and John Glenn was slated to go next.  The Mercury Astronauts caught not only the imagination of the country but of the world.  Every little boy and girl it seemed wanted to either be the Beatles or an astronaut.

I wanted to be an astronaut but slide-rules and math confounded the crap out of me.  And they still do.

We rolled out of bed in the early, early hours of the morning to watch the launches, breaths held as the countdown went down to zero and the button was pushed.

Televisions were rolled into schoolrooms around the country, including Las Vegas, so that we could track their progress.

The Mercury astronauts gave way to the Gemini Project and Ed White became the first American to walk in space.

Each step brought us closer to the goal of going to the moon.  All of this during a decade of turmoil and conflict the likes of which this country hadn't seen in a hundred years.  The Civil Rights movement, the loss of JFK, the Vietnam War, the youth movement, free speech, the anti-war movement, the silent majority are part of our history of the 1960s.

But through it all, even in the dark days (and we had our share of dark, dark days back then), the resolve to complete JFK's dream of putting a man on the moon by the end of the decade stayed strong. 

We lost Mercury astronaut Virgil "Gus" Grissom, the beloved Ed White and Roger Chaffee on the launch pad in the  Apollo One fire in 1967 and for a brief moment our resolve wavered.  But instead of scraping the idea, NASA and the country moved forward determined to solve the problems and hold the course.

In December of 1968, Apollo Eight with Frank Borman, Jim Lovell and Williams Anders became, not only the first Americans, but the first ever to orbit the moon.  That Christmas Eve they read Bible passages to the world from outer space.

As the 1960s were coming to a close, the decade seemed to be imploding on itself.  What had once seemed like a shining, optimistic beacon had become the very opposite.  Death, violence and drugs had taken over and the decade seemed like it was spiraling out of control.

But on a July afternoon in 1969, that shining optimism was recaptured and reborn as the Lunar Module with Neil Armstrong and "Buzz" Aldrin landed on the moon.

Around the world, people stopped what they were doing to watch history being made.

In Las Vegas, it was a Sunday afternoon.  At our house, we stopped and watched.

In the casinos on Fremont Street and on the Las Vegas Strip, gamblers were doing what they do best, gambling away.

Televisions had been set up around the casinos on both Fremont Street and the Strip so that patrons could watch if they wanted to.

Growing up in Las Vegas, we all know how difficult it is to get gamblers away from the tables and we know the stories of how it is next to impossible to get people to leave slot machines.

But on the Sunday afternoon up and down Fremont Street and up and down the Strip, they did just that. 

They stopped gambling to watch Neil Armstrong descend from the lunar module and "take one small step for man, one giant leap for mankind" before erupting in applause and tears.

It was a shared historic moment felt the world over and that included Las Vegas.

I know what you're thinking.  They could have gone upstairs to their rooms and watched.

But it was one of those moments in history when you wanted to be with other people and share the experience.

The Space Race which had begun twelve years earlier with the launch of Sputnik One by the Russians ended with Americans landing on the moon.

We had completed the dream that President Kennedy had set forth eight years earlier with slide rules, mainframe computers and American ingenuity.

And the world held their breath and then cheered with delight as Neil Armstrong set foot upon the moon, July 20th 1969.

The 1960s would all but officially come to a close two and half weeks later with the Manson Family killing spree in Los Angeles.

But, for a brief shining moment on that fateful July afternoon, we reminded ourselves and the world of what the best of America could be.

Turner Classic Movies will highlight the anniversary of the Moon Landing this evening with Astronaut Edwin "Buzz" Aldrin as guest programmer with TCM host, Robert Osborne.

Films include "For All Mankind" and my personal favorite, "The Right Stuff".  You know where I'll be.

 

A historical footnote:

The only other time that televisions were rolled into casinos and bars on the Strip and Downtown was in the aftermath of President Kennedy's assassination in Dallas in November, 1963.  Like the moon landing, patrons could have gone to their rooms to watch the coverage.

Instead they huddled in bars, lounges and around televisions in the casinos following the reports.

Chester Sims, general manager of the Flamingo that fateful weekend, always maintained the Flamingo closed its casino.

On September 11th, 2001, television screens were the norm in bars and in the sports bars so that televisions didn't have to be rolled into casino areas.

Wayne Newton not having a good week financially speaking

Classic Las Vegas entertainer, Wayne Newton, is not having a good week, financially speaking:

From the Las Vegas Sun:

Entertainer Wayne Newton has been sued twice this week by creditors claiming to be owed tens of thousands of dollars.

In one lawsuit, Newton is accused of failing to pay $32,384 for hay delivered to his Las Vegas ranch -- presumably for consumption by his horses at the ranch, called Casa de Shenandoah. In the other suit, he is accused of owing GMAC $36,999 for a lease on a Cadillac.

Both suits were filed in Clark County District Court.

Messages were left at Newton's office and with his attorney Thursday, but the entertainer and his representatives could not be reached for comment on the allegations.

Newton is known as a champion breeder of Arabian horses. In one of the lawsuits involving the hay, Austin Eide is suing Newton, the Wayne Newton Foundation and Debby Buck, identified as a representative for Newton or the foundation.

Eide, 19, of Logandale, grows alfalfa in the Moapa Valley north of Las Vegas and this was the first time he had done business with Newton, said his attorney Gregory Mills.

Mills said Newton's representatives had not complained about the quality of the hay and had stopped returning Eide's calls about the past-due balance.

The suit says Buck, on behalf of Newton or the foundation, contracted with Eide to provide 4,032 bales of hay at $12 per bale to be delivered to Newton's residence.

The suit says 18 shipments of hay were made to complete the $48,384 order between July and October 2008, but that Eide has received only partial payments.

Eide said he received $5,000 from the defendant corporation -- the foundation -- delivered by Buck in July 2008.

Eide said the corporation paid another $3,000 delivered by Buck in August and that Buck delivered the last payment of $8,000 in October. The last payment was in the form of a personal check signed by Newton, the lawsuit said.

Attached to the suit is a receipt signed by Buck confirming the delivery of the 4,032 bales.

In the second lawsuit, GMAC said Newton and his company, Erin Miel Inc., in 2005 leased a 2005 Cadillac Escalade and agreed to make 48 monthly payments of $894.39.

The suit says the defendants are in default on the lease and have failed to buy or turn over the vehicle to GMAC. As of April 8, the balance owed was $36,999, the suit said.

A third lawsuit involving Newton is pending in federal court in Las Vegas. In that suit, former Newton pilot Monty Ward obtained a judgment against Newton for $455,250 for past-due wages.

Erin Miel Inc., the company that arranges Newton's performances and pays his fellow performers and staff, intervened in that case in May complaining that Ward is trying to execute a judgment for funds belonging to it and that are now impounded by the court.

A garnishment served on the MGM Grand hotel-casino in Las Vegas, where Newton sometimes performs, resulted in $91,000 being withheld from Erin Miel Inc. for performances in March and April, Erin Miel said in its court filing.

"Monty Ward's service of a writ of garnishment served on MGM Grand is causing Erin Miel Inc. to be unable to pay the salaries of over a dozen musicians and staff," Erin Miel Inc. complained. "It is interfering with Erin Miel Inc.'s ability to pay ongoing costs and obligations."

Erin Miel Inc. said it employs Newton at a salary of $2,872 per week and has been garnishing 25 percent of his wages to pay the Ward judgment -- except for weeks when Newton did not receive a paycheck.

It argued Newton and another Newton company, Desert Eagle LLC, are subject to the pilot's judgment -- but that Erin Miel Inc. is not and that Erin Miel should receive the money from the MGM Grand that the court is holding pending resolution of the case.

Outrage Over the Fabulous Las Vegas Sign Getting Tagged

All around the world, it seems, people are outraged over the tagging of the Fabulous Las Vegas Sign.  Let us know what you think!

From the Las Vegas Sun:

Someone used a red Sharpie to scribble a few letters on a sign and the town went nuts. This was not just any sign. This one said, “Welcome to Fabulous Las Vegas.”

Las Vegas Mayor Oscar Goodman, whose city does not technically include the sign and who has previously called for cutting off the thumbs of vandals, demanded decapitation.

The reader comments on the Sun’s Web site seethed with anger. Some blamed hippies. Others, the media. There were calls embracing Mayor Goodman’s earlier, more moderate call for merely cutting off vandals’ thumbs. One commenter called for flogging, another caning. Multiple people said the mob would never have allowed this. Still others called for the all-seeing eye of Big Brother.

“I am tired of the vandalism, hit & run accidents, and crime that goes on here,” a commenter with the moniker “henderson” wrote. “I want surveillance cameras everywhere catching criminals. These people do not deserve the ‘privacy’ to commit criminal acts.”

What is it about this sign? After all, graffiti is fairly common and almost nobody likes it, but it rarely inspires calls for blood-drenched vengeance or state surveillance. And this is Las Vegas. We’re not exactly known for civic pride, community involvement, public spiritedness, sentimentality or even waving at our neighbors. And yet it seems there is one enormous exception.

What is it about this sign?

The sign was created in 1959 by Betty Willis, a designer at Western Neon. The star-topped diamond, lit up with atomic-age glitz, was erected to welcome Southern Californians driving in on Highway 91, with the seven letters of “welcome” spelled out in seven silver dollars, a nod to the state’s silver mining legacy and the slot machines we hoped the tourists would play.

“I remember coming here with my family in the 1960s and driving past that sign. It was like, ‘Wow. Here we are,’ ” says Dorothy Wright, a program administrator for Clark County’s Parks and Recreation Department who led the successful drive to have the sign listed in the National Register of Historic Places.

The sign is one of the world’s most recognizable icons, appearing in ads and on T-shirts, coffee mugs, desktop replicas and even snow globes. Even though it’s not on the route into town anymore, thousands of tourists pose in front of it every year. Before the county put in a $400,000 parking lot last year, people daily risked injury or death to run across Las Vegas Boulevard to be seen with the sign.

Yet for all of the millions of visitors, the sign seems to have gone 50 years without any serious vandalism. Until last weekend.

“In that sense, it’s a violation of a sacred icon,” says Patrick Gaffey, a cultural program supervisor for Clark County who oversees public art.

If anything, it’s more an icon for locals than for tourists. Because while nearly everything in town has been torn down, blown up and rebuilt in the past 50 years, the sign has not. In a city of change, the sign has permanence. More than that, unlike the casinos that rise and fall, the sign is a civic object. Among all its charms, its biggest may be as simple as this: It’s ours.

And it’s ours in a very peculiar way. Unlike the Hollywood sign, which stands for an industry and glamour, or the Golden Gate Bridge, which stands for a feat of tremendous engineering, or the Statue of Liberty, which stands for freedom, the Fabulous Las Vegas sign stands for tourism, plain and simple.

That doesn’t diminish the sign. In this town, there is nothing more important that the sign could stand for.

“It means so much to everyone. The inter-connectedness between tourism and the rest of the city is so much more profound here than in almost any other city in the world,” says Alan Feldman, senior vice president of public affairs at MGM Mirage.

It’s one of the first things you notice when you move here: People talk about tourism. Not in a can-you-believe-the-traffic, can-you-believe-their-clothes kind of way, either. We talk about occupancy rates, room prices and the monthly gaming take. We’re interested because if the tourism machine throws a cog, we’re the ones who bleed.

The Fabulous Las Vegas sign is our representative on the Strip. It’s us, welcoming the tourists in, telling them to have fun, enjoy the bright lights and leave their money when they’re done. Please.

So, to have the sign defaced now, when the tourists aren’t spending and we’re hurting? It’s like being kicked when we’re down.

To get some perspective on this, we tried to get in touch with Betty Willis herself, through her daughter Marjorie Holland. It turns out, Holland had talked to her mother about the assault on the sign.

“I told her this morning, when it was on the news, and she said, ‘What’s this world coming to?’ ”

 

The graffitti was removed from the sign yesterday (Tuesday) by its owner, Young Electric Sign Company.

It cost about $500 to return the sign to its sparkling facade.