RTC Transit finds its future in Las Vegas' past

The RTC is going neon.  Well along the new bus routes anyways.  Seems they are teaming with the Neon Museum and others to restore neon signs from our collective past and use as transit markers on their new routes.

From the Review-Journal:

 

 

Downtown Las Vegas has developed into a hip place to hang out and now the Regional Transportation Commission is hoping to play off the newly chic neighborhoods.

Like downtown, the transit agency aims to reinvent itself; it's working to shake the stigma attached to hopping on a public bus. The latest effort comes in the form of neon signs -- some dug out from the old neon boneyard and others newly built. They adorn three stops along the agency's trendy new ACE transit line.

 

In the Arts District, a massive sign reading "18b" shadows the transit stop. For those of us who aren't as cool as we think we are, 18b means 1800 block, which is how the artsy crowd refers to that area. Down the street is the retro sign from the 5th Street Liquor store and, across from the Las Vegas Convention Center, stands the original Landmark casino sign -- reborn on the same spot of the old establishment.

"It's an interpretive, artistic way to illuminate the route for the ACE," said Jacob Snow, general manager of the commission. "We want to make it cool looking and make it a positive experience."

Downtown once had a reputation for prostitution, cheap shrimp cocktails, homeless people and cheesy casino giveaways. It has re-emerged as a gathering spot for the younger crowd with trendy bars that offer no gambling.

 

The redevelopment has even surprised Las Vegas natives such as Snow. Now, Snow is doing the same with the bus system.

Over the years, the agency has gradually faded out its purple and green, exhaust-billowing Citizens Area Transit buses, replacing them with the gold single and double-deck RTC vehicles. In March, the transportation agency will unveil the new ACE system.

Passengers purchase their tickets at the stops, which, combined with the bus-level curbs, will allow a more convenient and quicker boarding process. The new vehicles are the closest Las Vegas will have to light-rail.

And the vehicles themselves?

"This is not your grandfather's bus; this is not a toaster on wheels," Snow said.

So in introducing this new line that will primarily serve downtown and the Strip, why not draw more attention to it with the old-school signs?

"They add native history," Snow said. "We don't have a lot in terms of keeping our history."

In addition to the neon bus stop demarcations, the agency has chosen a handful of artists to create pieces that will be installed on each bus shelter's eight panels.

The idea to install cool signs was actually born years before downtown became popular again.

Snow credits former Clark County Parks and Recreation Director Pat Marchese, who suggested raiding the boneyard for signs that could be erected in the rights of way of a planned light-rail system. The light-rail fell to the wayside, but that didn't mean the RTC should do the same with the signs, Snow said.

The ACE project is still under its $60 million budget, which means Snow and his associates may head back down to the boneyard, a Las Vegas Boulevard property where the signs are stored. He figures he might be able to afford three more signs that would be installed on the Grand Central Parkway stretch of the ACE route.

"This is going to be a lot of fun," Snow said.

And if his strategy works, Las Vegans might think the same about riding the bus.


More Las Vegas Memories

YouTube is a treasure trove of Classic Las Vegas home movie footage.  Take a walk down memory lane with some of these great YouTube videos:

From Ray Lindstrom, 1956 Las Vegas Strip

 

 

From Elmer Gerlock, 1957 Las Vegas Strip and Fremont Street.  Love the shot of the Golden Nugget neon billboard.

 

 

From yooreds, Las Vegas Strip circa 1976

The Walter Zick/Mid-Century Modern Event

 

Moderator Lynn Zook (far left), Karen Zick Goff, Claire Zick Walker and Alan Hess

 

We had a terrific time on Saturday, October 3rd shining the spotlight on Walter Zick and his partner Harris Sharp at our all day event.

The Docents and Volunteers for the Nevada State Museum, Las Vegas prepared a wonderful spread of light finger food, punch and champagne.  The anticipated overflow crowd made us move into the History Gallery for the panel.  Wise move, because we had almost 100 people in attendance.

Alan Hess talked about what Mid-Century Modern architecture, what it is and why it is important.  He also talked about "cultural amnesia".  Our past reminds us of who we are, what ideals mattered to us and also shows us how far (or not) we have come.  Mid-Century Modern Architecture, perhaps more than others forms of architecture, caught the zeitgeist of post-war America.  We were a brash, optimistic country, filled with big dreams and big plans.  MCM architecture was filled with much of that same brashness and optimism.  Throw in the space race and there seemed no limit to what we could achieve.

"Cultural amnesia" is what we commit, according to Alan, when we tear down our buildings, signage and neighborhoods only because they are old.  We lose those links to our past and we don't easily, if at all, get them back.

Alan then spoke at length about the Mint Hotel and why the design of that building and signage still tugs at our memories after all these years.

Walter Zick's daughters, Karen and Claire talked about how their dad had come to Las Vegas in the mid-1940s to work on the Flamingo Hotel.

They talked about growing up in the  Twin Lakes (today, Lorenzi Park) neighborhood where the NSM is located today.  The first home that their father designed and built for his family is less than a mile west of the Museum on Skolgund Circle.  The house included a 50 foot pool that became a homing beacon for pilots flying into Nellis Air Force Base.

Then it was time to get on the bus! and begin our tour of Walter Zick's Mid-Century Modern Las Vegas!

Our first stop was at the Bank of America on West Charleston.  It was originally a Bank of Las Vegas, then became a Valley Bank (where my family banked) and is today still in remarkable shape.  A drop ceiling, an upstairs addition and the loss of some original windows are the only changes apparent to the interior.

Sara Snodgrass, president of the AIA-S and keeper of our route and schedule and I proclaim proudly for the National Trust for Historic Preservation that "This Place Matters"

Back on the bus and across town we rode to UNLV, passing a number of Zick and Sharp commercial buildings as well as Irwin Molasky's former headquarters and James Brook McDaniel's famous flash cubes!

We rolled onto Maude Frazier Way to see the wonderful Zick and Sharp designed Flora Dungan Humanities Building.  It is our understanding that this early 1960s centerpiece of the campus for years is endangered.

Alan Hess points out important features inside Humanities.

 

FCLV members Joel Rosales and Judy Bundorf declare "This Place Matters" for the National Trust of Historic Preservation.

 

Back on the bus, to the east side of town to see the first pod school that Zick and Sharp designed, Valley High School.  Then it was on to a neighborhood filled with Mid-Century Modern gems as well as the weeping mortar/squish brick home that Zick and Sharp built for Mayme Stocker back in the mid-1940s.

Karen and Claire Zick declare "This Place Matters" for the National Trust for Historic Preservation.

While MaryJOY! Alderman conducted tours of her unique house, Jack LeVine, Friends of Classic Las Vegas supporter and the man behind VeryVintageVegas.com, led those who had taken the house tour down nearby Maria Elena Drive and showed them some stunning homes:

 

Then it was back on the bus and headed downtown to see the Foley Federal Building, the old Clark County Courthouse and the former Nevada Savings and Loan headquarters before our final stop at the Morelli House.  Though Zick and Sharp didn't design the Morelli House, the Junior League of Las Vegas was kind enough to open the house, provide tours and perhaps, most importantly, refreshments!

 

Dedee Nave and Junior League president, Judy Beale proclaim "This Place Matters" for the National Trust for Historic Preservation.

As it was getting towards twilight, we headed back to the Museum.

We passed by the Neon Museum and saw the three restored signs in the Cultural Corridor!

We arrived safely back and everyone declared it was a great day.  We hope to be able to do another event centered around Mid-Century Modern architecture next year. 

Alan Hess and I had so many people come up to us and thank us for showing them a side of Las Vegas that they were unaware of, for showing them what Mid-Century Modern architecture is and why it is important.  

Karen and Claire were thrilled to have the spotlight shown on their father for a day and were so happy to see the response to their dad's still standing legacy. 

Remember, all these places and more MATTER!  You can help us to preserve these buildings  by becoming a member of the Friends of Classic Las Vegas and a reader of VeryVintageVegas.com

 

Downtown Steve captures the spirit of the day!

Thank you one last time to everyone who came out for this event, from the reception/panel to those who got on the bus to

Barbara Slivac; the Docents and Volunteers of the NSM, the staff of the NSM, especially Dennis McBride and Tom Dyer;

Karen and Claire Zick;  Alan Hess;

the Friends of Classic Las Vegas; VeryVintageVegas.com; Atomic Age Alliance; the Junior League of Las Vegas;

Brian "Paco" Alvarez; Pam Hartley; Zane and Jenny Donaldson, MaryJOY! Alderman and Susan Dean.   A special shout-out to the staff of Dona Maria's Downtown for taking such good care of us at the after-event dinner that night.

And lastly, a special thanks to Michael Rosetti and the Double Decker Bus Company!

Let's do it again next year!

Beyond the Mint: Mid-Century Modern Architecture of Walter Zick

 

 

You've waited patiently and we appreciate that.  Here is the latest information on our October 3rd event highlighting the work of local architect Walter Zick with a focus on his mid-century modern homes and commercial buildings.

If you went to school at Hyde Park Jr. High, John C. Fremont, Western, Valley or Clark, if you banked at the Bank of Las Vegas/Valley Bank or bank today at the Bank of America on West Charleston and Decatur, you've been in a Walter Zick designed building. 

If you spent time at Southern Nevada Memorial Hospital (today UMC) in the 1960s, the Flora Dungan Humanities Building at UNLV or the old Safeway and W.T. Grants on the corner of Maryland Parkway and E. Charleston, you've been in Walter Zick designed buildings.

If you love the Mint and it's beautiful pink and white neon sign, you know Walter Zick.

Walter Zick, along with his partner Harris Sharp, changed the look of post-war Las Vegas. From schools to banks to residential homes, Walter Zick and Harris Sharp put their stamp on Las Vegas.  They designed buildings for the Test Site, for housing projects, for government buildings.  They also designed hotels like the Moulin Rouge, the Mint and the Union Plaza.  They worked on early remodels of the El Rancho Vegas and the Flamingo.

Much of that architecture is still standing.

We have planned a day of exploring the talent of Walter Zick and we invite you to join us.

Saturday, October 3rd.

Nevada State Museum

700 Twin Lakes Drive in Lorenzi Park

11:30 am  Reception

12:00 pm 

Panel Discussion featuring noted Mid-Century Modern historian and author (and big fan of the Mint Hotel), Alan Hess; architect Eric Strain of Assemblage Studios and Walter Zick's daughters, Karen Zick Goff and Claire Zick Walker. 

Admission price for the Panel Discussion is $3, reservations for the Panel Discussion are NOT necessary.

Immediately following the Panel Discussion, there will be an afternoon bus tour around Las Vegas pointing out some of the still standing architecture of Walter Zick.  There will be four stops on the tour.  The fifth and final stop will be at the Morelli House, while not designed by Zick, is a beautiful example of mid-century modern architecture.  The Junior League has graciously offered to host tours of the house for tour participants.

RSVP's are MANDATORY for the bus tour due to limited seating.  Leave your name and phone number on the voicemail.  Both are important as we will be calling a few days before to confirm all the reservations.  Admission price is $5. 

You must call 702-486-5205 x 121 to RSVP.  Leave your name and a working phone number.

1:30 pm  Bus Loading

2:00 - 6:00  Bus Tour

The bus will return to the Nevada State Museum, Las Vegas by 6:30 pm.

Once we have reached the seating capacity of the bus, we will have a will-call list as well.  We recommend calling as soon as possible to insure that you get a seat on the bus.

This should be a wonderful day of history, fun and a  chance to learn about buildings that you have loved for years.

This event is made possible by the generous support of:

Nevada Humanities, the Nevada State Museum, Las Vegas; the Friends of Classic Las Vegas, VeryVintageVegas.com; the Junior League of Las Vegas, the Atomic Age Alliance and Brian "Paco" Alvarez.

Southern Nevada Memorial Hospital, image courtesy of Nevada State Museum, Las Vegas

 

Flora Dungan Humanities Building, UNLV, photo courtesy of Nevada State Museum, Las Vegas